Mythbusters: Collection 4

Data
Title: MythBusters: Collection 4
Year: 2007-2008
Network: Discovery Channel
Episodes: 12 at 43 minutes, from the fifth and sixth seasons
Creator: Peter Rees
Directors: Tabitha Lentle (12 episodes), Alice Dallow (5)
Starring: Jamie Hyneman, Adam Savage

My reaction
Synopsis: a couple special effects guys and their cohorts test whether various urban legends are possible
How I saw it: online (streaming from Netflix), over the past few days
Concept: Great.
Story: Bad.
Characters: Good.
Dialog: Indifferent.
Pacing: Great.
Cinematography: Indifferent.
Special effects/design: Good.
Acting: Bad.
Music: Indifferent.
Subjective Rating: 7/10 (Good). There are some nice explosions in this set, but some of the excuses for making them are getting silly. "Can you surf a wave caused by dynamite?" Who cares?
Objective Rating: 2.5/4 (Okay).

more favorites of '09

Again, by these are my favorites from my 2009 - the movies I've seen this year, not the movies that are from this year.

Top Five Movies with the Best Visuals that I Saw in 2009:
5. Gone with the Wind, 1939
4. Synecdoche, New York, 2008
3. Up, 2009
2. Where the Wild Things Are, 2009
1. The Fall, 2006

Top Five Movies with the Best Music that I Saw in 2009:
5. La battaglia di Algeri, 1966 (Ennio Morricone/Gillo Pontecorvo)
4. The Red Shoes, 1948 (Brian Easdale)
3. The Informant!, 2009 (Marvin Hamlisch)
2. Yojimbo, 1961 (Masaru Satô)
1. Where the Wild Things Are, 2009 (Karen O./Carter Burwell)
- honorable mention: the theme song from The Adventures of Sherlock Holmes, 1984 (Patrick Gowers)

Top Five Favorite Male Performances that I Saw in 2009:
5. Jeremy Brett in The Adventures of Sherlock Holmes, 1984-1985 & The Return of Sherlock Holmes: Season One, 1986
4. Mickey Rourke in The Wrestler, 2008
3. Don Cheadle in Hotel Rwanda, 2004
2. Marlon Brando in On the Waterfront, 1954
1. James Stewart in Mr. Smith Goes to Washington, 1939

Top Five Favorite Female Performances that I Saw in 2009:
5. Julia Child in The French Chef: Volume One, 1963-1973
4. Audrey Hepburn in Breakfast at Tiffany's, 1961
3. Lina Leandersson in Låt den rätte komma in, 2008
2. Bette Davis in All About Eve, 1950
1. Giulietta Masina in Le notti di Cabiria, 1957

Full Metal Jacket

Data
Title: Full Metal Jacket
Year: 1987
Length: 116 minutes
Director: Stanley Kubrick
Writers: Stanley Kubrick, Michael Herr & Gustav Hasford, based on a novel by Hasford
Starring: Matthew Modine, Adam Baldwin, Vincent D'Onofrio, R. Lee Ermey, Kevyn Major Howard, Arliss Howard
Music: Abigail Mead (and non-original music)
Distinctions: Oscar nomination for Best Adapted Screenplay; currently #87 on IMDb's Top 250

My reaction
Synopsis: a smart-ass in boot camp, then Vietnam
How I saw it: on video a couple times, most recently (rented from Netflix) yesterday
Concept: Good.
Story: Indifferent. If it'd had more story, it wouldn't really have worked, but none-the-less there isn't much of a story
Characters: Indifferent.
Dialog: Good.
Pacing: Good.
Cinematography: Great.
Special effects/design: Great.
Acting: Bad. It usually seems good, but a few key scenes are crap.
Music: Great.
Subjective Rating: 7/10 (Good).
Objective Rating: 2.9/4 (Good).

top ten of '09

I won't bother with a Top Ten Movies Released in 2009 list, since I haven't seen a number of promising movies.  Besides, you can figure that out by going to my "Favorites" page.  Instead, these are the top ten of my year of watching stuff: the best of what I saw for the first time in 2009.

Top Ten Favorite TV Shows I Saw in 2009:
10. Mythbusters: Collection 2, 2006-2007.
9. Mythbusters: Big Blasts Collection, 2005-2007
8. The Cosby Show: Season Five, 1988-1989
7. Doctor Who: "The War Games," 1969
6. The Adventures of Sherlock Holmes, 1984-1985
5. The Return of Sherlock Holmes: Season One, 1986
4. Justice League Unlimited: Seasons One & Two, 2004-2005
3. Torchwood: "Children of Earth," 2009
2. Lost: Season Five, 2009
1. Fraggle Rock: Seasons Four & Five, 1986-1987

I didn't watch all that much television this year, but I guess what I did watch was pretty damn good.  Cosby Show seasons three and four didn't even make the cut.  Also not listed are the 2009 Doctor Who specials - they definitely would make the cut, but I don't count them as watched since there's still one more to go.

Top ten favorite movies I saw in 2009:
10. The Hurt Locker, 2009
9. Fantastic Mr. Fox, 2009
8. Frost/Nixon, 2008
7. Dog Day Afternoon, 1975
6. Breakfast at Tiffany's, 1961
5. Brief Encounter, 1945
4. Inglourious Basterds, 2009
3. Up, 2009
2. Moon, 2009
1. Where the Wild Things Are, 2009

All About Eve

Data
Title: All About Eve
Year: 1950
Length: 138 minutes
Director: Joseph L. Mankiewicz
Writer: Joseph L. Mankiewicz
Starring: Bette Davis, Anne Baxter, George Sanders, Celeste Holm, Gary Merrill, Hugh Marlowe
Music: Alfred Newman
Distinctions: Oscars for Best Picture, Best Director, Best Screenplay, Best Supporting Actor (Sanders), Best Costume Design (black-and-white) and Best Sound; Oscar nominations for Best Actress (Davis), Best Actress (Baxter), Best Supporting Actress (Holm), Best Supporting Actress (Thelma Ritter), Best Cinematography (black-and-white), Best Score, Best Art Direction/Set Decoration (black-and-white) and Best Editing; currently #90 on IMDb's Top 250

My reaction
Synopsis: a fan attaches herself to an aging actress
How I saw it: on video (rented from Netflix), yesterday
Concept: Good.
Story: Great.
Characters: Great.
Dialog: Great. Some of the best of all time.
Pacing: Great.
Cinematography: Good.
Special effects/design: Great.
Acting: Great. Baxter's not so good, but Davis more than makes up for her. There are probably only four or five actresses in the history of movies that could have taken Davis' character and made her sympathetic; Davis makes her downright lovable.
Music: Good.
Subjective Rating: 8/10 (Great). Every now and then a movie like this, that I otherwise might never have seen, reminds me why I'm doing my Top 250 project.
Objective Rating: 3.7/4 (Great).

Ocean's Eleven

Data
Title: Ocean's Eleven
Year: 1960
Length: 127 minutes
Director: Lewis Milestone
Writers: Harry Brown & Charles Lederer, story by George Clayton Johnson & Jack Golden Russell
Starring: Frank Sinatra, Dean Martin, Sammy Davis Jr., Peter Lawford, Angie Dickinson
Music: Nelson Riddle

My reaction
Synopsis: WWII vets rob Las Vegas
How I saw it: on video (have on DVD), two days ago
Concept: Great.  I haven't seen the remake yet (we just recently got a budget four-pack with both versions and the sequels (for $10!)), but I have pretty high expectations given the potential of this story.
Story: Great.
Characters: Bad.
Dialog: Great.
Pacing: Great.
Cinematography: Indifferent.
Special effects/design: Good.
Acting: Good.
Music: Great.
Subjective Rating: 7/10 (Good). I was hooked from the ultra-hip opening credit sequence. The movie didn't actually turn out to be all that great, but it's fun and well-written enough to be entertaining throughout. It doesn't take itself seriously enough to be a suspense film, and it doesn't have enough humor to be a comedy. What it does have is cool. Everything and everyone on screen - not to mention Riddle's score - is oozing cool.
Objective Rating: 3.2/4 (Very good).

Once Upon a Time in America

Data
Title: Once Upon a Time in America
Year: 1984
Length: 229 minutes
Director: Sergio Leone
Writers: Leonardo Benvenuti, Piero De Bernardi, Enrico Medioli, Franco Arcalli, Franco Ferrini & Sergio Leone, with Stuart Kaminsky, based on a novel by Harry Grey
Starring: Robert De Niro, James Woods, Elizabeth McGovern
Music: Ennio Morricone
Distinctions: currently #90 on IMDb's Top 250

My reaction
Synopsis: the life of a mobster who doesn't like bosses
How I saw it: on video (rented from Netflix), yesterday
Concept: Bad.
Story: Indifferent.
Characters: Indifferent. They have depth, but I don't like them. All of the leads are completely and unforgivably despicable.
Dialog: Terrible. See all those Italian names up there under "writers?" It shouldn't be surprising that the English dialog is crap.
Pacing: Terrible. The characters just... stare at each other, for the longest times. In Leone's Westerns, this was brilliant, and made for the best action scenes of all time. In this context, where there is zero suspense, it's unbearable.
Cinematography: Great.
Special effects/design: Great. The make-up, making a 40-year-old Robert De Niro look like he's in his 20s in some scenes and his 60s in others, is pretty impressive.
Acting: Good. It varies wildly throughout the film. There are places where the dialog is delivered very strangely and unnaturally, which I'm forced to assume is the result of a perfectionist director who doesn't speak English. Other times, it's exceptional.
Music: Indifferent.
Subjective Rating: 3/10 (Bad). My wife says, "I would like someone to explain to me why this movie is critically acclaimed." Every now and then, characters will do something or talk to each other or something of that nature. When that happens, it's okay. It doesn't happen often.
Objective Rating: 1.9/4 (Eh).

Fraggle Rock: Seasons Four & Five

Data
Title: Fraggle Rock: Seasons Four & Five
Year: 1986 / 1987
Network: CBC, HBO & ITV
Episodes: 26, at 25 minutes
Creator: Jim Henson
Directors: Terry Maskell (season 4, 5 episodes; season 5, 4 episodes), Eric Till (s4, 3; s5, 5), George Bloomfield (s4, 2; s5, 1), Norman Campbell (s4, 2), Wayne Moss (s5, 2), Les Rose (s4, 1), Richard Hunt (s5, 1)
Writers: Jerry Juhl (season 4, 4 episodes; season 5, 3 episodes), David Young (s4, 3; s5, 1), Laura Phillips (s4, 1; s5, 3), Jocelyn Stevenson (s5, 4), Sugith Varughese (s4, 2; s5, 1), Susan Juhl (s4, 2; s5, 1), Robert Sandler (s4, 2), B.P. Nichol (s4, 1; s5, 1)
Starring: Dave Goelz, Jerry Nelson, Steve Whitmire, Kathryn Mullen, Karen Prell, Richard Hunt, Gerard Parkes
Music: Philip Balsam & Dennis Lee

My reaction
Synopsis: fun-loving, cave-dwelling creatures don’t understand their neighboring species
How I saw it: on video (have on DVD), over the past few weeks
Concept: Great.
Story: Great.
Characters: Great.
Dialog: Great.
Pacing: Great.
Cinematography: Indifferent.
Special effects/design: Good.
Acting: Good.
Music: Great.
Subjective Rating: 10/10 (Favorite of my favorites). Absolutely wonderful. Toward the end of the last season, characters and relationships develop as if this were a stand-alone movie, not a potentially-syndicated franchise. Everything is changed and completely resolved by the end. It's pretty exciting to watch it all happen. But it makes me wonder how they could possibly think it's a good idea to make a Fraggle Rock movie.
Objective Rating: 3.6/4 3.7/4 (Great)

Avatar

Data
Title: Avatar
Year: 2009
Length: 162 minutes
Director: James Cameron
Writer: James Cameron
Starring: Sam Worthington, Zoe Saldana, Sigourney Weaver, Stephen Lang
Music: James Horner
Distinctions: Oscars for Best Cinematography, Best Art Direction and Best Visual Effects; Oscar nominations for Best Picture, Best Directing, Best Score, Best Editing, Best Sound and Best Sound Editing

My reaction
Synopsis: a militant corporation is mining an inhabited planet
How I saw it: in the theater, yesterday
Concept: Bad.
Story: Indifferent. It does what it needs to to keep the action going, but it's just a string of cliches that falls apart if you think too much.
Characters: Terrible.
Dialog: Indifferent.
Pacing: Good. It moves along at an entertaining clip, but it often feels like there's a lot we're missing or skipping.
Cinematography: Good. Although, if you take into consideration how much was put into the visuals, it's kind of bad.
Special effects/design: Great. Impressively realistic. Never convincingly realistic - I always felt that I was watching painstakingly-detailed animation rather than photographs - but impressive. To be wowed by the special effects is really the only reason to see this movie, so see it in 3D if you have any intention of ever seeing it. It will probably suck on DVD.
Acting: Good. Some of it's bad, but most of the cast gets by - and there's not enough depth to the characters to call for more than that.
Music: Bad. Its only saving grace is that it's often unobtrusive.
Subjective Rating: 7/10 (Good). I was entertained. The action scenes are done quite well, although they're not especially memorable. The science fiction aspects don't work at all; I think Cameron forgot about a third of the way through writing the script that it wasn't supposed to be a magical fantasy world. And the not-so-subtle racial undertones made me fairly uncomfortable. Of course, it's the special effects that matter for this sort of movie, and they're great. But when all is said and done, I have to wonder why, if you're spending $250 million on a movie, you can't be bothered to come up with a story more compelling than a rip-off of Fern Gully.
Objective Rating: 2.2/4 (Okay).

A Muppet Family Christmas

Data
Title: A Muppet Family Christmas
Year: 1987
Network: ABC
Length: 42 minutes
Directors: Peter Harris & Eric Till
Writer: Jerry Juhl
Starring: The Muppets (Jim Henson, Frank Oz, Dave Goelz, Richard Hunt, Jerry Nelson, Kathryn Mullen, Steve Whitmire, Karen Prell, Caroll Spinney), Gerard Parkes
Music: Eric N. Robertson (director)

My reaction
Synopsis: the Muppets visit Fozzie's mom for Christmas
How I saw it: on video a few times (have on VHS), most recently yesterday
Concept: Great. The Muppet Show Muppets, Sesame Street Muppets, and the Fraggles, all in one show.
Story: Bad.
Characters: Great.
Dialog: Great.
Pacing: Great.
Cinematography: Bad.
Special effects/design: Good.
Acting: Good.
Music: Good. Nothing makes Christmas songs tolerable quite like Muppets.
Subjective Rating: 9/10 (One of my favorites). Easily the best of the Muppets' many Christmas movies/specials. There's something wonderful about Doc from Fraggle Rock looking on with quiet horror as The Count counts "worried frogs."
Objective Rating: 3.1/4 3.2/4 (Very good)

Cinema Paradiso

Data
Title: Nuovo cinema Paradiso
Year: 1988 (Italy), 1990 (US)
Length: c. 170 minutes (director's cut)
Director: Giuseppe Tornatore
Writer: Giuseppe Tornatore, with Vanna Paoli
Starring: Marco Leonardi, Agnese Nano, Leopoldo Trieste, Salvatore Cascio, Jacques Perrin, Philippe Noiret
Music: Ennio Morricone
Distinctions: Oscar for Best Foreign Language Film (1990); currently #90 on IMDb's Top 250

My reaction
Synopsis: Honestly, I don't know. Netflix mistakenly gave us disc 2, which is the Director's Cut, instead of the film. It's a full hour longer, and I just noticed on the IMDb that an actress who plays a character essential to the central story of the director's cut is not even in the original version. So what's the original version about? Probably the cinema Paradiso, I'd guess. That would be a pretty good movie...
How I saw it: on video (rented from Netflix), yesterday
Whatever: Sigh. I was about to go through my rating process, but thinking about it made me upset.  I haven't seen Nuovo Cinema Paradiso, I've seen the director's cut, and it's not the same movie. This one will have to wait for later.
Subjective rating: 5/10 (Indifferent). The first hour is wonderful (and is the only part of the movie I saw that sounds like the descriptions I've read of Nuovo cinema Paradiso), and I can only assume that if the second two hours were half their length, they would have been equally wonderful. If you haven't noticed, I'm kind of upset about this whole spending-three-hours-of-my-life-ruining-a-probably-good-movie thing.

housekeeping post: fiddling with objective ratings again

I made a minor change to my "objective ratings" system.  Yes, I know, I just overhauled them a few months ago.  They still work essentially the same - I'm still giving each aspect of the movie a score of "great," "good," "indifferent," "bad," or "terrible," and averaging those - but I'm no longer going to force it into a 10-point scale.  It never really made sense to do that in the first place, and this seems much less arbitrary.  And, most importantly, it will get rid of the confusion of having a different 10-point scale for the subjective and objective ratings.  So now objective ratings will be out of four, not ten, because they've really always been that way but just on a distorted scale.  Subjective ratings remain unchanged.

Have no idea what I'm talking about?  That is because my old system was confusing.  The About page explains the new system, and I think it's clear and simple.  If you want an explanation of the old system, you're out of luck, because I don't think I ever really managed to explain it.

Precious

Data
Title: Precious: Based on the Novel Push by Sapphire
Year: 2009
Length: 110 minutes
Director: Lee Daniels
Writer: Geoffrey Fletcher, based on the novel by Sapphire
Starring: Gabourey Sidibe, Mo'Nique, Paula Patton, Mariah Carey
Music: Mario Grigorov (but mostly popular music)
Distinctions: Oscars for Best Adapted Screenplay and Best Supporting Actress (Mo'Nique); Oscar nominations for Best Picture, Best Directing, Best Actress (Sidibe) and Best Editing

My reaction
Synopsis: an abused pregnant girl from the ghetto goes to an "alternative" school
How I saw it: in the theater, today
Concept: Indifferent.
Story: Good.
Characters: Great.
Dialog: Great.
Pacing: Great.
Cinematography: Good.
Special effects/design: Great.
Acting: Great. Crazy great.
Music: Great.  One of the best soundtracks of the year.
Subjective Rating: 5/10 (Indifferent). My wife says, "Brutal." I appreciated it, but I didn't like it. Very well made, and it pulled me in (although I didn't really react emotionally to it - I think because it's just too much). It even has its lighter moments and a mild sense of humor. But it's not exactly something I'm going to want to see again, ever.
Objective Rating: 9/10 3.4/4 (Very good).

awesome people part 5

Here are a few random people who happen to be awesome. I’m just saying.

Kevin Spacey
Evidence:
- The Usual Suspects, 1995 (Verbal Kint)
- American Beauty, 1999 (Lester Burnham)
- Moon, 2009 (Gerty)

Ennio Morricone
Evidence:
- Per un pugno di dollari, 1964 (composer)
- Per qualche dollaro in più, 1965 (composer)
- La battaglia di Algeri, 1966 (composer)
- Il buono, il brutto, il cattivo, 1966 (composer)

Harold Lloyd
Evidence:
- "Ask Father," 1919 (The Boy)
- Safety Last!, 1923 (The Boy)
- The Milky Way, 1936 (Burleigh Sullivan)

Andrew Stanton
Evidence:
- Monsters, Inc., 2001 (co-writer)
- Finding Nemo, 2003 (co-director/co-writer/Crush)
- Wall-E, 2008 (director/co-writer)

Leo McKern
Evidence:
- A Man for All Seasons, 1966 (Cromwell)
- The Prisoner, 1967-1968 (Number Two)
- King Lear, 1983 (Gloucester)

Braveheart

Data
Title: Braveheart
Year: 1995
Length: 177 minutes
Director: Mel Gibson
Writer: Randall Wallace
Starring: Mel Gibson, Patrick McGoohan, Sophie Marceau, Angus Macfadyen, Catherine McCormack, Brendan Gleeson, David O'Hara
Music: James Horner
Distinctions: Oscars for Best Picture, Best Director, Best Cinematography, Best Makeup and Best Sound Effects Editing; Oscar nominations for Best Original Screenplay, Best Score, Best Costume Design, Best Editing and Best Sound; currently #90 on IMDb's Top 250

My reaction
Synopsis: a Medieval farmer leads a revolt after his wife is killed
How I saw it: on video several times, most recently (rented from Netflix) yesterday
Concept: Good.
Story: Bad. You could skip any random portion of the movie, and if you hadn't seen it before, you wouldn't know anything was missing.
Characters: Bad.
Dialog: Bad.
Pacing: Terrible.  Slooowwww-mmmmmooooooooo...
Cinematography: Good.
Special effects/design: Great.
Acting: Indifferent.
Music: Bad.
Subjective Rating: 4/10 (Eh). I just don't get it. Okay, there are some great action scenes, but those are just a tiny portion of the movie. Why do so many people love this stuff? Is it because it comes to a grinding halt every few minutes for a shot of Mel Gibson posing heroically against a majestic backdrop? That's it, isn't it?
Objective Rating: 4/10 (Eh) 1.8/4 (Eh).

The Elephant Man

Data
Title: The Elephant Man
Year: 1980
Length: 124 minutes
Director: David Lynch
Writers: Christopher De Vore, Eric Bergren & David Lynch, based on books by Sir Frederick Treves and Ashley Montagu
Starring: Anthony Hopkins, John Hurt, Anne Bancroft, John Gielgud, Wendy Hiller, Freddie Jones
Music: John Morris (and non-original music)
Distinctions: Oscar nominations for Best Picture, Best Director, Best Adapted Screenplay, Best Actor (Hurt), Best Score, Best Art Direction/Set Decoration, Best Costume Design and Best Editing; currently #91 on IMDb's Top 250

My reaction
Synopsis: a surgeon takes an interest in a deformed man
How I saw it: on video (rented from Netflix), yesterday
Concept: Good.
Story: Indifferent. It wanders a lot, with large episodes that seem to have little to do with what I saw as the story.
Characters: Indifferent.
Dialog: Good.
Pacing: Good.
Cinematography: Indifferent. If a film as late as 1980 is using black-and-white, I expect them to really use it. It's kind of disappointing to find that the cinematography would probably have looked better in color, especially considering that visuals are Lynch's strong suit.
Special effects/design: Good. Honestly, the Elephant Man make-up kind of looks like crap to me. His face can't move, you can't see his eyes - why not save John Hurt the 20-hour days and just put a rubber mask on him? All the sets and costumes are great, though.
Acting: Great. We all love John Hurt, but dude: Anthony Hopkins manages to command our attention every second he's on screen, while playing one of the most boringly-written characters ever.
Music: Great.
Subjective Rating: 6/10 (Okay). There are a few very emotional scenes that make it worth seeing. But I'm still unconvinced that David Lynch doesn't suck.
Objective Rating: 7/10 (Pretty good) 2.8/4 (Good).

Metropolis

Data
Title: Metropolis
Year: 1927
Length: 123 minutes
Director: Fritz Lang
Writer: Thea von Harbou, based on her novel
Starring: Alfred Abel, Gustav Fröhlich, Rudolf Klein-Rogge, Brigitte Helm
Music: Gottfried Huppertz
Distinctions: currently #93 on IMDb's Top 250

My reaction
Synopsis: a robot leads a socialist revolution
How I saw it: on video a couple times, most recently (rented from Netflix) yesterday
Concept: Great. The plot has been recycled too many times to still have anything left in it after all these years. But Art Deco Expressionist Steampunk? Yeah, okay.
Story: Bad. Unless you like being beaten over the head with an allegory of dated relevance.
Characters: Bad.
Dialog: Indifferent.
Pacing: Good.
Cinematography: Great.
Special effects/design: Great.
Acting: Bad.
Music: Good. I didn't really like it, but it's right for the movie.
Subjective Rating: 7/10 (Good). For once Netflix has the good version of a silent film. We'd seen a different version (about a decade ago), and it was boring and kind of hard to follow. This version (the Murnau Foundation restoration released by Kino) is entertaining throughout. The footage is played significantly faster, it uses the original score, it has all the footage that was known to exist at the time it was released (early 2000s), and, absolutely essential if the movie's going to make any sense, it tells you what happens in the missing scenes.
Objective Rating: 7/10 (Pretty good) 2.6/4 (Good).

Lost: Season Five

Data
Title: Lost: Season Five
Year: 2009
Network: ABC
Episodes: 17, at 43 minutes
Creators: J.J. Abrams, Jeffrey Lieber, Damon Lindelof
Directors: Jack Bender (6 episodes), Stephen Williams (5), Paul Edwards (2), Rod Holcomb (1), Mark Goldman (1), Greg Yaitanes (1), Bobby Roth (1)
Writers: Damon Lindelof (6 episodes), Carlton Cuse (6), Edward Kitsis (4), Adam Horowitz (4), Elizabeth Sarnoff (4), Paul Zbyszewski (3), Brian K. Vaughan (3), Melinda Hsu Taylor (2), Kyle Pennington (1), Greggory Nations (1)
Starring: Naveen Andrews, Henry Ian Cusick, Jeremy Davies, Michael Emerson, Matthew Fox, Jorge Garcia, Josh Holloway, Daniel Dae Kim, Yunjin Kim, Ken Leung, Evangeline Lilly, Rebecca Mader, Elizabeth Mitchell, Terry O'Quinn
Music: Michael Giacchino

My reaction
Synopsis: time-traveling survivors
How I saw it: streaming online (from Netflix), over the past few days
Concept: Great.
Story: Great.
Characters: Great.
Dialog: Great.
Pacing: Great.
Cinematography: Good.
Special effects/design: Great.
Acting: Good.
Music: Great.
Subjective Rating: 9/10 (One of my favorites). This is what television should be. Granted, I could do without the whole 10% of the show spent waiting for a character's name to be revealed thing, and I was pretty disappointed when A Certain Character didn't end up dying after all at the end of the finale, but whatever. Easily the best season so far.
Objective Rating: 10/10 3.8/4 3.9/4 (Great).

awesome people part 4

Here are a few random people who happen to be awesome. I’m just saying.

Terry Gilliam
Evidence:
- Monty Python and the Holy Grail, 1975 (co-director/co-writer/animator/Patsy)
- Time Bandits, 1981 (director/co-writer)
- Twelve Monkeys, 1995 (director)
- Fear and Loathing in Las Vegas, 1998 (director/co-writer)

Brad Pitt
Evidence:
- Twelve Monkeys, 1995 (Jeffrey Goines)
- Fight Club, 1999 (Tyler Durden)
- Snatch, 2000 (Mickey O'Neil)
- Inglourious Basterds, 2009 (Lt. Aldo Raine)

Sergio Leone
Evidence:
- Per un pugno di dollari, 1964 (director/co-writer)
- Per qualche dollaro in più, 1965 (director/co-writer)
- Il buono, il brutto, il cattivo, 1966 (director/co-writer)

Will Ferrell
Evidence:
- Elf, 2003 (Buddy)
- Anchorman: The Legend of Ron Burgundy, 2004 (co-writer/Ron Burgundy)
- "The Landlord," 2007 (co-writer/Renter)
- Step Brothers, 2008 (co-writer/Brennan)

Billy Wilder
Evidence:
- Ace in the Hole, 1951 (director/co-writer)
- Stalag 17, 1953 (director/co-writer)
- Witness for the Prosecution, 1957 (director/co-writer)

Miracle on 34th Street

Data
Title: Miracle on 34th Street
Year: 1947
Length: 96 minutes
Director: George Seaton
Writer: George Seaton, story by Valentine Davies
Starring: Maureen O'Hara, John Payne, Edmund Gwenn, Gene Lockhart, Natalie Wood
Music: Cyril J. Mockridge
Distinctions: Oscars for Best Screenplay, Best Story and Best Supporting Actor (Gwenn); Oscar nomination for Best Picture

My reaction
Synopsis: a man who claims to be Santa Claus gets a sanity hearing
How I saw it: on video (rented from Netflix), yesterday
Concept: Great.
Story: Good.
Characters: Good.
Dialog: Good.
Pacing: Great.
Cinematography: Bad.
Special effects/design: Good.
Acting: Good. Gwenn and Lockhart are great. O'Hara is pretty bad - or at least made some terrible choices.
Music: Indifferent.
Subjective Rating: 7/10 (Good). Cute and amusing. Surprisingly, it doesn't feel very Christmassy for a movie that has so much to say about Christmas.  It looks at Christmas from outside.
Objective Rating: 8/10 2.9/4 (Good).