December 7, 2011

The Third Man

from my 1st Ebert’s Great Movies Marathon, part 7 of 13



The Third Man, 1949. An American in post-war Vienna tries to clear the name of his recently deceased friend. Directed by Carol Reed. Written by Graham Greene. Starring Joseph Cotten, Alida Valli, Orson Welles & Trevor Howard.

Concept: 3/4 (Good)
Story: 3/4 (Good)
Characters: 4/4 (Great)
Dialog: 4/4 (Great)
Pacing: 4/4 (Great)
Cinematography: 4/4 (Great). Visually, this movie is as good as it gets.
Special effects/design: 4/4 (Great). Bombs are a great set designer.
Acting: 4/4 (Great). Oh man, Welles' grin alone could earn this movie a 4. It's surely one of the Top Ten Moments of Acting.
Music: 4/4 (Great). It's my second time watching the movie, and I've had a complete reversal on my reaction to the music. It had seemed so completely wrong for the movie. It is wrong for the first half of the movie, and by the time it starts to fit, I had already rejected it. But on the second viewing, the effect has changed so much it's like a different score. Watching that first half of the movie knowing that the title character is on his way - knowing the character and how Welles plays him - the score is absolutely perfect. It's hard to imagine the movie with a traditional mystery/crime score. It would still be a great movie that way, but... I don't know. Maybe Welles' performance wouldn't seem so great without that music to prepare you for him.
Subjective Rating: 8/10 (Great, 4/4). An all-around damn good movie.
Objective Rating (Average): 3.8/4 (Great)

(update of a previous post - original is here)

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